|
台灣 Taiwan
羅懿君 (台灣) LO Yi-Chun (Taiwan) 香蕉的正義—戲劇性的國際貿易與暴動 BANANA JUSTICE- The Drama of Global Trades and Riots 風乾的香蕉皮 Dried banana peels 480 x 240 cm 2014 藝術家簡歷 Artist bio
羅懿君，1985年生於台北，2007年國立新竹教育大學藝術與設計學系畢業，2010年國立臺灣藝術大學美術研究所畢業。作品以環境藝術創作、雕塑裝置、攝影，關注環境變遷以及社會議題。2012年獲得美國佛蒙特藝術中心年度亞州藝術家全額獎助，並開始在美國、日本、荷蘭進行駐村創作與展覽。2013獲得雲門舞集流浪者計畫，探訪南印度的生態村，思考藝術與環境和社群的關係。同年於日本橫濱BankArt Studio NYK駐村創作期間，她發展一系列以香蕉皮為媒材的創作，探討台灣與日本的歷史貿易關係，以及全球化下的市場衝擊，此系列作品獲得2015年高雄獎首獎，並受邀於日本青森國際藝術中心（ACAC）、德國慕尼黑Spielart Festival展出。2016年嘗試以「菸葉」為素材進行創作，透過田野調查、資料蒐集與⽂獻閱讀，耙梳台灣產業地景的歷史脈絡與世界經濟體系座標。 Yi-Chun Lo is a Taipei based artist. She received her Master of Fine Art (MFA) in Multimedia from the Taiwan National University of Arts. She creates sculpture, photographs and installations about environmental change and farmland issues. She received the Freeman Fellowship to become a resident artist at the Vermont Studio Center in the United States in 2012. Since then, she has travelled to other countries such as Japan, India, the Netherlands and the United States to create site-specific works and expand her artistic practice to community and environmental art projects. In 2013, She received wanderer project fellowship from Cloud Gate Theater and traveled to India for her research of eco-villages. In the same year, she created a series of work from banana peels to explore the market relationship between Taiwan and Japan, and the impact of global market in nowadays society. This series of work brought her the first prize of Kaohsiung Award in 2015, and exhibited her work at Aomori Art Centre (ACAC) in Japan and SpielArt Festival in Munich. Recently, she works on the theme of Taiwanese tobacco industry with fieldwork, documentation and literature, trying to derive the historical context of Taiwanese industrial landscape under the global economic system. http://yichunlo.wixsite.com/artist |
|
此件系列作品針對全球化下的自由貿易市場與各地的動亂做出回應。三件作品組合為空間裝置，運用香蕉皮作為媒材，呈現農人、工人與市民對抗資本主義、全球化，以及獨裁體制。「香蕉共和國」回溯美洲香蕉的貿易的勞工剝削歷史。「購物籃的聯合抵制」 為 2014年6月美國麻州發生的罷工事件，也是少數勞工需求得到正面回應的案件。「雨傘革命」則呈現市民對抗獨裁政權，探討意識形態的塑造，以及自由與暴亂之間的灰色地帶。
This work is about the clash of today’s political and economic systems. The three pieces of work in this installation are called History of Banana Republic, Boycott of Market Basket and Umbrella Revolution in HK. They are made entirely from recycled banana peels – the most basic fruit that is consumed on an everyday basis – to present the humble position of farmers, workers and common people in the world against mainstream ideologies such as globalisation, capitalism and dictatorship.
This work is about the clash of today’s political and economic systems. The three pieces of work in this installation are called History of Banana Republic, Boycott of Market Basket and Umbrella Revolution in HK. They are made entirely from recycled banana peels – the most basic fruit that is consumed on an everyday basis – to present the humble position of farmers, workers and common people in the world against mainstream ideologies such as globalisation, capitalism and dictatorship.
