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香港 Hong Kong
陳沁昕 (香港) Tap CHAN (Hong Kong) 瀝瀝 Sluice 竹、膠帶、水、水筒、尼龍 Bamboo, plastic strips, water, bucket, nylon 尺寸可變 Dimensions variable 2017 藝術家簡歷 Artist bio
陳沁昕出生於香港，現工作並居住於香港。她於二零一一年獲得墨爾本皇家理工大學藝術文學士，並於二零一四年在香港浸會大學視覺藝術學院視覺藝術碩士科畢業。作品多以裝置，錄像及雕塑的形式出現。她愛好探索日常生活中處於意識邊緣的狀態，彷如在失眠發作後經歷了的不確定空間以及無止境的現實和虛擬的交錯。構建著她對現代社會的不安，悄悄的呈現出虛無的現代人生活。陳沁昕從幼稚園到中學一直在土瓜灣區上學，與該區有深厚感情，亦見證着多年來社區面貌的轉變。 展覽 2017 A Soft Note / Instinc Art Space / 新加坡 2016 香港雕塑雙年展 2016 / 香港 2016 4 4 4 — 陳沁昕空間介入展 / 香港 2016 憂鬱液體 / 百尺公園 / 香港 2015 Home Away from Home - Graft Art / 佛蒙特, 美國 藝術家駐留計劃 2017 Instinc Art Space / 新加坡 2015 佛蒙特藝文中心 / 美國 資助與獎項 2017 文化交流計劃 / 香港藝術發展局 2015 新苗資助計劃 / 香港藝術發展局 TAP CHAN born in Hong Kong, currently lives and works in Hong Kong. She obtained a B.A. in Fine Art from the Royal Melbourne Institute of Technology in 2011 and an M.A. in Visual Arts from the Hong Kong Baptist University in 2014. Her works mostly appear in the form of installations, videos and sculptures. She is interested in exploring the idea of liminality that is embedded in daily life, where the boundaries between fiction and reality are often blurred, like the undefined psychic and emotional ruptures experienced during bouts of insomnia. To construct a narrative of the subterranean mind that rumbles beneath the facade of modern existence. EXHIBITION 2017 A Soft Note / Instinc, Singapore 2016 Hong Kong Sculpture Biennial 2016 / Hong Kong 2016 4 4 4 — An intervention by Tap Chan / Hong Kong 2016 Black Bile / 100 ft. Park / Hong Kong 2015 Home Away from Home / Graft Art / Vermont USA ARTIST IN RESIDENCY 2017 Instinc / Singapore 2015 Vermont Studio Center, USA GRANTS 2017 Cultural Exchange Grant, Hong Kong Arts Development Council 2015 Project Grant for Emerging Artists, Hong Kong Arts Development Council |
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城市的發展與變遷，在文明的角落都無一幸免……
記憶也是累贅，它把各種標記翻來覆去以肯定城市的存在；看不見的風景決定了看得⾒的風景。
—— 卡爾維諾《看不見的城市》
從台北的萬華古井到香港土瓜灣的宋代古井都是個看不見的奇特經驗。一切都是抽象的聯想。
就像是幻想的物象。經過時空的流動，變成了今天的記憶。
法國人類學家Mark Augé 提出地方 (place) 和非地方 (non-place) 的討論，所謂的「非地方」是一種可以不斷被重新修改、重新置入的空間，這不同於「地方」的概念，因為地方是⼀種象徵化的空間，它承載歷史記憶，無法被完全刪除。「非地方」在香港很常見，除了交通工具與大型商場，一些商店、餐廳等也是轉眼即逝的「非地方」。土瓜灣區現正處於地方與非地方之間，街道上不難發現建造中的高樓豪宅與被竹棚包圍著的建築。這些臨時性的結構Attach ⼜ Detach 後 ，會為此社區添加新面貌還是倒模式的生活態度……
There is no escape from re-development and the ever changing of city…
“Memory is redundant: it repeats signs so that the city can begin to exist”
- Italo Calvino "Invisible City”
It was a strange and abstract experience to visualise Wanhua district ancient well in Taipei and the Song Dynasty well in To Kwa Wan, Hong Kong. They are like imaginary objects, invisibility existing.
French anthropologist Mark Augé proposed “place” and “non-place” discourse. A "non-place" is a place that can be constantly modified. While a “place” carries historical memories and symbols, cannot be completely wiped out. Non-place is not uncommon in Hong Kong, in addition to transportations and large malls, many shops and restaurants are also fleeting to become a non-place.
During the state of flux and acceleration in To Kwa Wan district reconstruction project, buildings surrounded by bamboo sheds and covers are commonly found. What would happen next after these temporary structures Attached and Detached…
記憶也是累贅，它把各種標記翻來覆去以肯定城市的存在；看不見的風景決定了看得⾒的風景。
—— 卡爾維諾《看不見的城市》
從台北的萬華古井到香港土瓜灣的宋代古井都是個看不見的奇特經驗。一切都是抽象的聯想。
就像是幻想的物象。經過時空的流動，變成了今天的記憶。
法國人類學家Mark Augé 提出地方 (place) 和非地方 (non-place) 的討論，所謂的「非地方」是一種可以不斷被重新修改、重新置入的空間，這不同於「地方」的概念，因為地方是⼀種象徵化的空間，它承載歷史記憶，無法被完全刪除。「非地方」在香港很常見，除了交通工具與大型商場，一些商店、餐廳等也是轉眼即逝的「非地方」。土瓜灣區現正處於地方與非地方之間，街道上不難發現建造中的高樓豪宅與被竹棚包圍著的建築。這些臨時性的結構Attach ⼜ Detach 後 ，會為此社區添加新面貌還是倒模式的生活態度……
There is no escape from re-development and the ever changing of city…
“Memory is redundant: it repeats signs so that the city can begin to exist”
- Italo Calvino "Invisible City”
It was a strange and abstract experience to visualise Wanhua district ancient well in Taipei and the Song Dynasty well in To Kwa Wan, Hong Kong. They are like imaginary objects, invisibility existing.
French anthropologist Mark Augé proposed “place” and “non-place” discourse. A "non-place" is a place that can be constantly modified. While a “place” carries historical memories and symbols, cannot be completely wiped out. Non-place is not uncommon in Hong Kong, in addition to transportations and large malls, many shops and restaurants are also fleeting to become a non-place.
During the state of flux and acceleration in To Kwa Wan district reconstruction project, buildings surrounded by bamboo sheds and covers are commonly found. What would happen next after these temporary structures Attached and Detached…
