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香港 Hong Kong
張才生 (香港) CHEUNG Choi Sang Samson (Hong Kong) 過渡 Transition 場域表演 Performance 日期: 2017年11月19日 Date: 19 November 2017 時間: 下午3時正 Time: 3PM 2017 藝術家簡歷 Artist bio
年少時夢想成為農夫、巴士司機、足球員及地理學家，大學卻主修工商管理。現在視藝術創作過程為終身學習的平台，並慶幸每天能夠望見海。 2012年獲得香港專業進修學院攝影深造文憑後開始認真創作，2013年打開耳朵，探索聲音這媒介源於一隻咖啡杯上的咖啡跡。2014年，為聲音掏腰包 「藝術家支援計劃」2014-15 年度獲選年青藝術家。2015年分別到芝加哥「Experimental Sound Studio」和台北「水谷藝術」作駐場藝術家後開始嘗試以表演、空間介入等方式將自我與參與者刻畫於各種場景之中。近期於香港「據點。首個個展《從觀看說起...》、日本《Art Camp Tango 2017》的展覽及表演及成為三人玩聲組合《波寺》創團成員之一。 He dreamt of being a farmer, bus driver, football player and geographer but end up graduated with a Business Administration Degree. He now views the process of making art as a lifelong learning platform and thankfully enjoys look at the sea every day. He gained a Postgraduate Diploma in Photography from HKU SPACE at 2012, and started opening up his ear to explore sound media in 2013, inspired by coffee marks from a coffee cup. He had been selected as the artist of soundpocket's Artists' Supported Program 2014-15. He has begun to execute his ideas by performance, spatial intervention which places himself and participants into certain situation after his artist in residency in Experimental Sound Studio in Chicago and Waley Art in Taipei in 2015. Recently, he had his first solo exhibition “Start from seeing” at Floating Projects, Hong Kong in 2016, participated in exhibition and performance at “Art Camp Tango 2017” in Japan and become one of the founding members of sound-playing trio “Namiji”. |
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遲來的鐵路，達成了眾多居民的心願。冗長工程讓地區進入了一種「臨時性」和「過渡」的狀態。藝術家以自身對這種新景象的盼望、擔憂等矛盾心情作為切入點，以聲音表演的方式梳理和呈現在土瓜灣和2015年在南萬華區駐村的聆聽經驗。
The belated railway development has reached the aspirations of numerous residents in the area of South Wanhua in Taipei and To Kwa Wan in Hong Kong. The lengthy project has brought the two places into a kind of “temporary" and "transitional" status. The artist takes his own ambivalence with hope and worries of this kind of new sight. This performance reflects the artist’s listening experience as a Hongkonger in To Kwa Wan and South Wanhua District during his artist residency in 2015.
The belated railway development has reached the aspirations of numerous residents in the area of South Wanhua in Taipei and To Kwa Wan in Hong Kong. The lengthy project has brought the two places into a kind of “temporary" and "transitional" status. The artist takes his own ambivalence with hope and worries of this kind of new sight. This performance reflects the artist’s listening experience as a Hongkonger in To Kwa Wan and South Wanhua District during his artist residency in 2015.